I’ll be teaching weirdness over at LitReactor again soon. August 30. Spaces left—hope to see you there.
Three of my students that I know of have sold their stories from the class. Here’s some hype:
[This] LitReactor class was unforeseeably phenomenal… It’s the most I’ve ever learnt in a writing class, and if all LitReactor classes are as genuinely relevant and engaging as that, then they might be on to some kind of creative revolution.” —Emila B.
Thrilled to announce The Bridge’s shortlisting among so many many talented friends.
Thanks for bearing with me.🙂
I’m bogged down on page 124 of 300 pages of what was meant to be a quick copy edit and has morphed into a bigger than the Black Lagoon rewrite. Why? How many novels do I have to write before I can call it quits after, ooo I dunno, eight drafts? Instead of eight hundred?…
I am teaching Hamlet. This is a first for me, and it has given me a chance not only to revisit the play, but also Almereyda’s messy, masterful adaptation (2000); and one summer in my own life when the time felt most terribly out of joint.
Read more at The Nervous Breakdown.
With stories from Ramsey Campbell, Clive Barker, Neil Gaiman, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Christopher Coake, Josh Malerman, Mercedes M. Yardley, Brian Kirk, Amanda Gowin, Richard Thomas, Maria Alexander, Stephanie M. Wytovich and Kevin Lucia. With a foreword by Cemetery Dance magazine founder Richard Chizmar. Here is an early review….
I’m plugging this for a friend, long time after I said I would, but you should check it out. Thin Walls Press. Some cool little stories. Always room for more word places.
No products in the cart.