Vandal: Stories of Damage, dropped on Tuesday 21 Feb! Live launch to come but you can look at some of the Facebook Event activity here. Thank you to Crystal Lake Publishing, and to Team V: Aaron Dries and Kaaron Warren. And to all the readers and fans out there who are buying and raving about…
I’ll be running a workshop called Writing Horror With Heart as part of Alex Davis’s Winter Haunts Event, on November 6, a day of panels, workshops and talks about ghosts and ghost stories and the supernatural. Hope to see you there!
Where do I start? Probably with a huge huge shout-out to CreateNSW who made travel to WFC Baltimore possible by awarding me the Artist Quick Response Travel Grant. This is the first time I’ve gone to World Fantasy with any assistance, and it lifted a whole lot of stress and allowed me to concentrate on…
The “Yes” just in my inbox yesterday – super super psyched to be picked up by this smart mag out of the UK, and for a story about snake beans! Thanks to Andy Cox from TTA Press for digging it, heaven-sent beta reader, Angela Slatter and the Thorbys crowd who workshopped this with me.
Blown away and grateful to be listed among such stellar talent. 2017 Aurealis Awards shortlist announcement
So I’ve been a fan of this show for years – I even wrote about it at Volume 1: Brooklyn and now I’m on it. You want a show that covers craft, art, suffering, conferences, story, inspiration, desperation, awards, missing out on awards, revision, publishing, self-publishing—this is it. Stephen Graham Jones, Paul Tremblay, Angela…
Author Nick Kaufman has me on his blog to talk about the scariest part of writing Aletheia. It couldn’t end at that moment of total narrative collapse, but it was really difficult for me to see beneath its broken structure at that point. And there was another thing. It wasn’t just the story that had…
My review of Gutted: Beautiful Horror Stories is over at LitReactor. Neat collection, lots of stories and images that linger. Couldn’t really name a favorite, because of the breadth of styles and subject matter, loosely connected around the idea of naked souls bared to elements not always of this world, but I have to say…
This is how I’ll finish the editing.
Weird horror instilsl a kind of terror in the reader, but the kind of terror where the fever dream is not so much to defeat It, as to see It, touch It. Make It stick. Because without It, what are we?
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