THank you to Canadian author Maria Haskins for her kind words about meh book:
Like a steam-train, it gathers momentum in the telling, and while the first chapters draw you into the world of the story, allowing you to get to know the characters, everything soon takes a turn I did not see coming. And towards the end, the story is just edge-of-your-seat GRIPPING. Horror and landscape mix with memory and desire in a way that is riveting.
There are monsters that dress in the skin of men, and hauntings that go beyond your average apparitions, alive and threatening. Women turn to lizards, dead dogs can see, and the things that drive men mad can step from their imaginations into broad daylight or slink around by the light of the moon just beyond the…
Writing this post for David Gutowski’s Largehearted Boy was as close to my heart as it gets. I got to write about the music that fueled Collision. I got to say “Like a Bat out of Hell” and “Like Ripples on a Blank Shore” in the one sentence, almost. Meatloaf in collision with Radiohead. Almost…
It has been such a long time since I’ve checked in, that even my own blog doesn’t recognize me. Apologies for the absence. A tough month of personal loss. Hard to make sense of the universe right now. In “Emma Zunz,” Borges writes that after getting news of the death of her father, Emma realized…
Here is the book trailer for Collision, and it is killer. Thanks to Meerkat Press for being a creative force in their own right, and one to be reckoned with.
And this – Gamut Magazine publish an excerpt from Aletheia – thanks Richard Thomas for all you do.
Author Nick Kaufman has me on his blog to talk about the scariest part of writing Aletheia. It couldn’t end at that moment of total narrative collapse, but it was really difficult for me to see beneath its broken structure at that point. And there was another thing. It wasn’t just the story that had…
No products in the cart.