Aletheia reviewed at Black Static Magazine.

Here is part of what Peter Tennant, over at Black Static had to say about Aletheia.

This is a densely written, complicated and ambitious novel, touching on themes of memory and betrayal. There are many things that stand out, not least of which is the superb characterisation. We get the back story of each character, the tragic events that shaped both Thettie and Lee, and how they have tried to cope with the consequences, the way in which Doc Murphy cunningly insinuated himself into the life of the Harpur clan, making himself indispensable, but always with an eye on the main chance. We get cameos of his delightful henchmen, Homer and Lyle, who are as memorable as they are nasty, and we are introduced to Thettie’s two sons, Grif and Archy, with their different but complementary personalities, each of them larger than life. And of course there’s Vernon, who has a lot of chutzpah for a lizard. And let’s not forget the strange, enigmatic Bryce, a young girl who may be Frank’s agent or possibly an emissary of the lake itself. These few and a host of others, each with their own distinguishing idiosyncrasies and character traits, interact and play off against each other, adding twists and turns to the story, including one monumental one that I didn’t see coming and regarding which I can only salute the author’s audacity…. [A]t the heart of the story is the ghost who flits in and out of events, facilitating the plot at certain crucial moments, an enigmatic deus ex machina gathering power and biding its moment to act directly, and when it does act the world is remade…. Beautifully written, with a magical evocation of place and keen awareness of how the borderlines between reality and the outré are so easily blurred, filled with engaging and memorable characters speaking dialogue that scintillates, and packed with enough ideas for a half dozen ordinary novels, this was an impressive performance from J. S. Breukelaar and a book that will almost certainly reward further readings.

You’ll have to subscribe to read the whole thing. I just did, partly as a way of saying thank you, but also because Black Static is one of my favorite magazines, with great authors in it every month.

 

Michelle Garza reviews Aletheia for This is Horror.

There are monsters that dress in the skin of men, and hauntings that go beyond your average apparitions, alive and threatening. Women turn to lizards, dead dogs can see, and the things that drive men mad can step from their imaginations into broad daylight or slink around by the light of the moon just beyond the sight of their own eyes.

Heartfelt thanks to Michelle Garza for this dark love. Read more at This is Horror.

Angela Slatter asks me about Aletheia, and I say….

 

Angela Slatter is the WFC award-winning author of The Girl with No Hands and Other Tales, Sourdough and Other Stories, The Bitterwood Bible and Other Recountings, Winter Children and Other Chilling Tales, A Feast of Sorrows: Stories and Black-Winged Angels, as well as Midnight and Moonshine and The Female Factory (both with Lisa L. Hannett). She has won a World Fantasy Award, a British Fantasy Award, a Ditmar, and five Aurealis Awards, as well as being a finalist for the Norma K. Hemming Award.

She dug Aletheia. She had me on her blog.

Aletheia: JS Breukelaar

Cover Art for Aletheia

Revealing Ben Baldwin’s final cover art for Aletheia, out soon from Crystal Lake Publishing.

Pretty much one of the most gorgeous covers I’ve seen, still can’t believe it’s mine. Thanks to Joe Mynhardt from Crystal lake for setting this up.
aletheia-front-3

In other news, just found out I’m on the Weird Fiction panel at World Fantasy Con in Columbus, Ohio with two of my heroes – Ellen Datlow and Michael Kelly. Unfortunately won’t have the actual book to flaunt—copies won’t quite be ready yet—but I’ll be reading from it anyway.

Is this my house?

It has been such a long time since I’ve checked in, that even my own blog doesn’t recognize me. Apologies for the absence. A tough month of personal loss. Hard to make sense of the universe right now. In “Emma Zunz,” Borges writes that after getting news of the death of her father, Emma realized that “it was the only thing that had happened in the world, and it would go on happening endlessly.”

Lots of work to keep me near dark, though. Correcting novel proofs, working on an exciting new piece for LitReactor, two stories anthology-bound. End of semester paper grading just for shits and giggles.

And I finally did manage to get Gabino Iglesias’s novel reviewed for This is Horror. Get this bad boy into you, mis amigos, where it will lay eggs on your subconscious, I guarantee, for hatching when you least expect it.

Managed, also, out of necessity, to keep reading. Polished off Scott Nicolay’s Ana Kai Tangata, and Years Best Weird Fiction, ed Kathe Koja. Caitlin Keirnan’s “Bus Fare” is numinousity on a whole new level, Nathan Balingrud’s “The Atlas of Hell” one of the most claustrophobically horrific stories I’ve read in recent memory, even for him, and back to Nicolay, hard to pick one, but if I had to, “Eyes Exchange Bank” and the title piece. This from EEB:

Route 202 was a tunnel through a shadowed world whose brightest color was brown. Woods that in spring or summer would offer green relief from the drab and dreary towns were gnawed to bleak orchards of black bone.

I know this road. Saw you there.