Breach Magazine Reviews Collision

While I’m catching up on news, here is Breach magazine’s review of my upcoming collection, Collision.

Stories are ruthless, nothing is safe—even the child who offers a lollipop and loses a wrist to the Clint Eastwood dog. Breukelaar experiments with the Gothic and queries the queer. Bedded within the tales is a voluptuous energy that turns pages. Tables pirouette in a blink and, before you know it, the story is eleven shades grimmer.

Thanks to Eugen Bacon and Breech Mag for the words.

You can pre-order Collision here and everywhere.

Best books of 2018 – LitReactor Staff Pics.

Image by Joshua Chaplinsky

Best books of 2018? I read very few books last year. I don’t know why I read so little. The ones I did were mainly for work. I read a lot of student work, edited manuscripts for clients and my own. Getting Collision edited and ready for printing took a lot of my time, partly because the folks from Meerkat are almost as anal as I am. Or at least pretend to be when I know they are just being patient. Anyway here are my pics for 2018 over at LitReactor. And while you’re there, check out Parts 1 and 2, pencil at the ready to jot down the list for your local bookstore.

Goodreads Giveaway of Collision = Free books!

So this is happening—thanks to the good people at Meerkat Press.

Goodreads Book Giveaway

Collision by J.S. Breukelaar

Collision

by J.S. Breukelaar

Giveaway ends November 12, 2018.

See the giveaway details
at Goodreads.

Enter Giveaway

Success! I snagged the CreateNSW Quick Response Grant – World Fantasy 2018, here I come!

Create NSW JS BreukelaarMy first grant, so. When the guy from CreateNSW called me and told me, I literally cried and he was embarrassed. It was a moment. Anyway, thank you CreateNSW. I’m goin’ to Baltimore, my third World Fantasy, and the first one not on my own dime, entirely.  Can’t wait to meet my new publisher, Tricia Reeks of Meerkat and to reunite with my amigo Seb Doubinsky, and hang out with my people. I always get so much out of these cons—meeting new readers, bonding with new viewers, scoring invitations to contribute to anthologies. But the best thing about this World Fantasy is getting to support some fellow Australian authors, especially the amazing Kaaron Warren, who is Guest of Honor. I plan to hang out in NYC for three short days afterward, where I’ll be reading at Gotham writers Workshop and elsewhere.

I’ll be tweeting about my road to WFC Baltimore so watch that space.

Another Literary Mashups class about to begin at LitReactor: Sept. 13

The walls are coming down: sign up here.

Thanks to authors like George Saunders (weird ghosts), Jeff Ford (fantastical horror), Jeremy Robert Johnson (biznoirro), Angela Slatter (fairy tales with bite) and Kelly Link, whose stunning fantasy, “Stone Animals,” was included in Best American Short Stories, the lines dividing one set of genre conventions from another, can be blurred to stunning effect—and that’s what today’s publishers and editors are looking for.

The genre barbarians are at the gate, and getting all up in the guts of what used to be called ‘literary fiction,’ and the result is dark fantasy with sf elements, crime fiction with ghosts, vampires with artificial intelligence—the sky is literally the limit, and the old rules no longer apply.

Of that sounds like you—fascinated with Japanese horror yet knee-deep in a western sf novel, or if your crime story draws from Norse mythology, or American folk tales, or your fairy tales features robot romance—consider yourself home. Some of the most in-demand fiction today includes the best elements from multiple genres and styles in one big mosh-pit of surreal Gothic hellraising.

J.S. Breukelaar is the acclaimed author of the futuristic wild west horror novel, American Monster; Aletheia, a noir ghost-story with a sci-fi twist, and the upcoming collection, Collision, which includes dystopian ghost tales, Halloween war stories, alien gender-bending, body-horror romance, and a zombie novella for the AI age.

And, over four weeks of intense writing, plus exposure to some of the ground-breaking genre-benders making waves today—you will discover new techniques to pull the most powerful elements from countless genres—into a story with the kind of heart and soul editors are looking for.

Maria Haskins reviews *Aletheia*

THank you to Canadian author Maria Haskins for her kind words about meh book:

Like a steam-train, it gathers momentum in the telling, and while the first chapters draw you into the world of the story, allowing you to get to know the characters, everything soon takes a turn I did not see coming. And towards the end, the story is just edge-of-your-seat GRIPPING. Horror and landscape mix with memory and desire in a way that is riveting.

“Horror is the genre that rose from the grave… “

Record sales in horror fiction, according to the Daily Telegraph? Thank you Stranger Things, Andy Muschietti’s film adaptation of Stephen King’s It? And maybe a bunch of other factors too. Like this, from Alexander Gordon Smith, over at Tor.com:

Horror makes us children again, in the best possible way. We’re incredibly resilient when we’re kids, because our imaginations are so vast, so powerful. They cannot be defeated. When we go through bad things, we have the emotional intelligence to recover, because we know that anything can happen. If there can be monsters under the bed then there can be miracles, too.

Or, in my twisted take on horror’s weirdness over at LitReactor:

All these stories instill a kind of terror in the reader, but the kind of terror where the fever dream is not so much to defeat It, as to see It, touch It. Make It stick. Because without It, what are we?

Vale Harlan Ellison. You mattered to me. I included his 1965 story, “Repent Harlequin, said the Ticktock Man” in my favorite dystopian stories over at LitReactor.

Speaking of LitReactor, Peter Derk’s Cormac McCarthy birthday tribute is pretty cool. This one took me way, way down the rabbit hole.

Cover Reveal for Collision: Collected Stories.

col-cover-CREVICE-FINAL-02-small-537x800This is the cover for the upcoming collection. I love it, and thanks in tonnage to the folks at Meerkat for a cover that reveals as much as it conceals. Read more about the collection here.

A collection of six of J.S. Breukelaar’s darkest, finest stories plus six new works, including the uncanny new novella, “Ripples on a Blank Shore.” Relish the gothic strangeness of “Union Falls,” the alien horror of “Rogues Bay 3013,” the heartbreaking dystopia of “Glow,” the weird mythos of “Ava Rune.” Plus an introduction by award-winning author, Angela Slatter. It’s clear that this collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.

“Raining Street” picked up by Black Static Magazine.

The “Yes” just in my inbox yesterday – super super psyched to be picked up by this smart mag out of the UK, and for a story about snake beans! Thanks to Andy Cox from TTA Press for digging it, heaven-sent beta reader, Angela Slatter and the Thorbys crowd who workshopped this with me.