THank you to Canadian author Maria Haskins for her kind words about meh book:
Like a steam-train, it gathers momentum in the telling, and while the first chapters draw you into the world of the story, allowing you to get to know the characters, everything soon takes a turn I did not see coming. And towards the end, the story is just edge-of-your-seat GRIPPING. Horror and landscape mix with memory and desire in a way that is riveting.
Record sales in horror fiction, according to the Daily Telegraph? Thank you Stranger Things, Andy Muschietti’s film adaptation of Stephen King’s It? And maybe a bunch of other factors too. Like this, from Alexander Gordon Smith, over at Tor.com:
Horror makes us children again, in the best possible way. We’re incredibly resilient when we’re kids, because our imaginations are so vast, so powerful. They cannot be defeated. When we go through bad things, we have the emotional intelligence to recover, because we know that anything can happen. If there can be monsters under the bed then there can be miracles, too.
Or, in my twisted take on horror’s weirdness over at LitReactor:
All these stories instill a kind of terror in the reader, but the kind of terror where the fever dream is not so much to defeat It, as to see It, touch It. Make It stick. Because without It, what are we?
Vale Harlan Ellison. You mattered to me. I included his 1965 story, “Repent Harlequin, said the Ticktock Man” in my favorite dystopian stories over at LitReactor.
Speaking of LitReactor, Peter Derk’s Cormac McCarthy birthday tribute is pretty cool. This one took me way, way down the rabbit hole.
This is the cover for the upcoming collection. I love it, and thanks in tonnage to the folks at Meerkat for a cover that reveals as much as it conceals. Read more about the collection here.
A collection of six of J.S. Breukelaar’s darkest, finest stories plus six new works, including the uncanny new novella, “Ripples on a Blank Shore.” Relish the gothic strangeness of “Union Falls,” the alien horror of “Rogues Bay 3013,” the heartbreaking dystopia of “Glow,” the weird mythos of “Ava Rune.” Plus an introduction by award-winning author, Angela Slatter. It’s clear that this collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.
Blog hideously behind. I’m on it.